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This fonds consists of photographs and various textual material.

This fonds consists of one scrapbook created by the 1st Coniston Wolf Cub Pack, containing information on Wolf Cub Pack meetings, a photograph of the first 1st Coniston Wolf Cub Pack and individual photographs of cub masters.

Fonds consists of two scrapbooks which contain newspaper clippings, congratulatory greeting cards, photographs, correspondence, brochures, programs and a written history, all pertaining to the Soroptimist Club of the Sudbury Nickel District.

Fonds consists of material relating to J. Cooke Concrete and to William Jacob Cooke, and includes deeds and other legal documents relating to lands; correspondence; ephemera; news clippings; maps and plans; notes on biographical and administrative history; photographs; and artifacts.

The fonds consists of one photograph and two composite photographs of hockey players and lacrosse players in Chapleau, Ontario and Falconbridge, Ontario.

Fonds consists of material documenting Gallery 44 Centre for Contemporary Photography as a gallery and provider of educational programming and facilities to support photographic artists, including photographs, slides, exhibition invitations, exhibition catalogues, posters, newspaper clippings and notebooks.
Contains series:

1. Exhibition publicity
2. Board of Director files
3. Financial records
4. Grant applications
5. Administration files

Fonds consists of records relating to the life and work of Florence Vale. Textual materials include correspondence, records of exhibitions, and documentation of her artwork. Visual materials include photographic documentation of the artist, her family, friends, and her work; drawings, etchings, rugs, and box construction art pieces and dolls. Also includes are media materials in the form of audio reels and a videocassette.
Contains series:

1. Documentation of Artwork
2. Publicity Materials
3. Correspondence
4. Photographs
5. Drawings and Etchings
6. Poems by Florence Vale and Others
7. Artist’s bookworks
8. Audio reels of the singing and poetry readings of Florence Vale
9. Video Documentary on Florence Vale
10. Dolls and Box Constructions
11. Rugs

Fonds consists of the personal and professional records of David Brown Milne, including correspondence with friends, patrons, family and his dealer; diaries and similar writing; documentation of Milne’s military service; designs for Canadian flags; cancelled watercolours; sketches and sketchbooks.
Contains series:

1. Correspondence sent by David Milne, including drafts of letters
2. Correspondence received by David Milne
3. Diaries and other writings by David Milne
4. World War I documents
5. Douglas Duncan and Picture Loan Society documents
6. Maps of potential painting locations
7. Publicity material
8. Documents relating to Vera Parsons and 1963 court case
9. Canadian flag drawings and designs for Studio Magazine cover
10. Cancelled watercolours
11. Baptiste Lake sketchbooks
12. Personal effects
13. Sketches

The fonds consists of copy prints of photographs taken by Chooutla (Carcross) Residential School teacher A. Richard King of his students and their school life in and around Carcross, Yukon. Subjects include Mr. King, Principal Lawson, Vice-Principal Walters, supervisors Miss Fennell, Miss Barstow and Beverly Bear, the school, tobogganing, and games and activities during Winter Carnival Days and Sports Day. Also included are images of the Matthew Watson General Store and tourists waiting to board the White Pass and Yukon Route (WP&YR) train at the Carcross station. Many of the students in the photographs are identified including Helen Malcolm, Dorothy Johnnie, Judy Hager, Vivian Smith, Velma Silas, Ben Johnson, Nancy Tizya, Virginia Simon and Ann Smith.

Fonds consists of correspondence, sketches, exhibition notices and posters, press clippings, photographs, financial records, and artefacts relating to Iain Baxter’s career as an artist and university instructor. It includes records of the N.E. Thing Company, the Eye Scream Restaurant, and later solo work by Baxter. Also included are records of Baxter’s employment by Labatt’s Canada as Creative Consultant, and of his collaborations with Louise Chance Baxter.

The collection consists chiefly of photographs of the artists Elizabeth McGillivray Knowles (1866-1928), Farquhar McGillivray Knowles (1859-1932), George Agnew Reid (1860-1947), Mary Heister Reid (1854-1921), Mary Wrinch Reid (1877-1969) and Edmund Wyly Grier (1899-1961), their studios and works, along with related textual materials. Fonds consists of the following series: Elizabeth McGillivray Knowles Farquhar McGillivray Knowles George Agnew Reid Mary Heister Reid Mary Wrinch Reid Edmund Wyly Grier

Fonds consists of photographs of Canadian artists and paintings, personal and professional correspondence of Newton MacTavish, manuscripts, offprints, illustrations, newspaper articles and reviews and other photographs. Included are correspondence and manuscripts of Kate Johnson MacTavish. Fonds is comprised of the following series: Correspondence Manuscripts Offprints Reviews Newspaper clippings Original illustrations Photographic studies Photographs of Canadian artists Photographs of paintings by Canadian artists Negatives Miscellaneous

The fonds consists of correspondence with art dealers, artists and public art institutions, invoices, shipping and customs forms and other documents relating to their involvement in the international art market in the mid-20th century. Carbon copies of letters written by the Zacks and letters written to them are included. The fonds also contains the administrative files kept by the Zacks: insurance lists, index cards for art and books, photographs and catalogues. The fonds includes the records of the Zacks’ involvement as board members in a variety of organizations relating to the arts, including agendas, memos, minutes of meetings, and travel arrangements. Correspondence files document the Zacks’ involvement in the State of Israel, through its cultural institutions, and communication with prominent citizens. Mrs. Zacks’ papers created after her husband’s death relate to her honourary degree, the Order of Canada, board activities and social involvement. Fonds is comprised of the following series: General correspondence Artist files Dealer files Public institution files Exhibition catalogues Photographs Administrative files Exhibitions of the collection Boards and committees Israel Personal

Fonds consists of the administrative files created by the Mercer Union gallery during the first twenty years of its existence, including photographs and slides, material printed for the gallery (catalogues, posters, invitations etc.), newspaper reviews, and a small number of video tapes, audio tapes and computer disks. Files remain in the order they were received; errors in filing have not been corrected. Fonds is comprised of the following series: Artist/exhibit files Board of Directors files Programming binders Curatorial files Promotional material

Fonds consists of correspondence, newspaper and magazine clippings, lecture notes, newsletters, cards and party invitations, exhibition catalogues, reproductions of art works, passport, certificates, and photographs relating to L.A.C. Panton’s personal and professional life. The photographs range from portraits of his family in England to scenes that provided the basis of paintings, particularly the Nova Scotia coastline. Correspondence relates to his involvement in art societies and his community in North Toronto but does not include his family life. Letters were received from several members of the Group of Seven, Florence Wyle, Arthur Heming, Fred Brigden, G.A. Reid and many others. Clipping files relate both to his professional life and his interest in economics and current events. The fonds arrived at the archives in no discernible order; order has been imposed by the archivist to correspond as much as possible to a file listing found in the fonds. Fonds is comprised of the following series: L.A.C. Panton’s file arrangement Other files Photographs