Affichage de 124 résultats

Le fonds comprend deux albums de coupures créés par le Chelmsford Women's Institute et neuf documents rédigés par des membres de l’organisme.

Collection consists of audio recordings of interviews with individuals who were active in the Toronto visual art community during Robert Markle’s lifetime, art historians, and friends and family of Robert Markle. Collection also includes two notebooks containing transcriptions and notes. Interviews were created and used in the process of researching Blazing Figures: A Life of Robert Markle. Collection includes interviews with Harvey Cowan, Jack Foster, Anna Hudson, Avrom Isaacs, Craig Kenny, Mitchell Maracle, Susan Maracle, Marlene Markle, Tim Noonan, Gordon Rayner, John Reeves, Richard Gorman, Ruth Grogan, Nobuo Kubota, Don Obe, Helen & Marty Poizner, Michael Sarrazin, Peter Stollery, Hana Trefelt, Michael Snow, Patrick Watson, Paul Young, Jack Aldersley, Kenny Baldwin, Patricia Beatty, Laura Berman, Sheryl Wanagas, Dennis Burton, Vera Frenkel, Ray Hanson, Tom Hill, Jerri Johnson, Rae Johnson, Emmett Maddix, Scott Townson, Murray McLauchlan, Stephen Williams, Gordon Lightfoot, Dennis Reid, Peter Goddard, and Diane Pugen. The collection is arranged in a single series.

The fonds consists of the administrative and race records of the Yukon Dog Mushers Association. There are four series: Correspondence; Minutes and By-laws; Financial Records; and Race Records.

Fonds consists of personal and professional records of Canadian painter Jack Bush, created chiefly in Toronto during the 1930s to 1970s: his personal diaries; record books containing notes on his paintings; photographs (slides, transparencies, negatives and prints) largely of his paintings but also of his studio, exhibit installations and other subjects; with scrapbooks of newspaper and magazine clippings about the artist, exhibition notices, examples of his commercial art, and further records of his paintings.
Contains series:

1. Diaries
2. Record books
3. Photographs
4. Scrapbooks
5. Commercial art

The fonds consists chiefly of correspondence (professional and personal); diaries and address books, inventories; financial records; photographs of artworks and family; and miscellaneous papers.

The collection consists of newspaper articles, reproductions, illustrations, exhibition notices and invitations, death notices, photographs and biographical notes on 112 Canadian artists (birthdates 1803 to 1915) and four arts organizations: Canadian Society of Painters in Water Colour, Ontario Society of Artists, Royal Canadian Academy of Arts, and Toronto Art Students’ League.

Fonds consists of correspondence, photographs and other material related to the J.S. McLean Collection (including the Canada Packers collection) and to J.S. McLean’s position as a vice-president of the Art Gallery of Toronto. Fonds is comprised of the following series: J.S. McLean Collection documentation Photographs Tom Thomson sketches correspondence Art Gallery of Toronto papers

Fonds consists of the personal and professional records of John Boyle, including documentation of his work as an artist and his writing projects. Fonds includes documentation of Boyle’s involvement with Canadian Artists’ Representation Ontario, the Niagara Artists’ Company, and the Nihilist Spasm Band. Fonds is comprised of the following series: Exhibition and project files Nihilist Spasm Band files Canadian Artists’ Representation Ontario files Niagara Artists’ Company files Studio business files Manuscript writings Inventories of art works Adjunct art works Posters Financial records Published writings and illustrations

Fonds consists of two scrapbooks containing material created and collected throughout George Reid’s life and were compiled by him in the late 1930’s. Volume I, 500 pages, contains photographs and notes on the Reid family; drawings, sketches, etc., as well as press clippings and exhibition catalogues relating to works of art by Reid and his first wife, Mary Hiester Reid. The 131 pages of Volume II are devoted to designs for buildings and their interior fittings, including summer homes and a church at Onteora, New York, houses in Wychwood Park (Toronto) including the Reid house, and Ontario College of Art designs. Materials include drawings in pencil, pastel and ink, watercolour sketches, small oil paintings, blueprints, photographs, postcards, letters, texts of speeches, letters, awards and material clipped from magazines and newspapers.

The fonds includes correspondence, newspaper and magazine clippings, photographs, drawings, poems, notes and memorabilia relating to Helen Sanderson’s student days at the Ontario College of Art and subsequent teaching career. Many of these were pasted into a scrapbook, entitled ‘Art School Days’, forming a distinctive memoir of student life in the 1920’s and 1930’s. The fonds is arranged in a single series.

Fonds consists of the records of the Canadian Art Club, including minutes of the organization’s meetings, constitution and by-laws, membership lists, photographs of artworks, documents of incorporation (1909) and ultimate dissolution (1930s) and club financial records in the form of ledgers and a collection of bills and receipts. Materials related to club exhibitions and dinners are supplemented by an extensive collection of clippings from reviews in newspapers of the day. Correspondence forms a significant portion of the papers, especially that to and from Edmund Morris, secretary of the club for several years. Papers related to the founding of the Art Museum of Toronto and the Central School of Industrial Art and Design are also included. Fonds is comprised of the following series: 1. Minutebook 2. Transcribed minutes and other documents 3. Records of annual banquets and exhibitions 4. Club lists 5. Photographs 6. Replies to dinner invitations 7. Scrapbooks/press clippings 8. Bills and receipts 9. Cash book 10. Records of club dissolution 11. Notes on a Toronto art school 12. Miscellaneous papers 13. Correspondence (Edgar J. Stone collection)

Collection consists of a four-volume set of proof engravings by Henry Sandham for his illustrations in Century Magazine and other publications. The engravings were assembled by the artist, who inscribed in ink on the title page of volume 1: “The only complete set of proofs of the engravings from Hy Sandham’s drawings for Century Magazine from 1881 to 1886. These proofs were printed from the blocks before they were electro-typed and cannot now be reproduced except by being engraved again. The cost of each print in this book was fifty cents. Hy. S.”

Fonds consists of Art Institute of Ontario records accumulated by Paul Bennett, in the course of his duties as Field Director / Adviser and later Director of the Art Institute of Ontario. Fonds includes Adviser’s service reports, minutes of annual meetings, director’s reports, funding briefs, and two scrapbooks documenting the activities of the AIO. Fonds is comprised of the following series: 1. Adviser’s service reports 2. Minutes, director’s reports and funding briefs 3. Scrapbooks

The collection consists of research material gathered by Judith Rodger in the course of her work on the catalogue for the Art Gallery of Ontario exhibition Greg Curnoe: Life and Stuff. Collection includes audio recordings of Curnoe, published articles, photographs, ephemera, and eulogies for Curnoe. Sources for individual items include Jack Behrens, Glen Curnoe, Tony McAulay, and Brenda Wallace.

The fonds consists of personal papers and correspondence, household receipts, farming accounts and correspondence, and solicitations for business, building contracts, building accounts, business receipts and correspondence, banking papers, income tax papers, legal papers, assessment rolls and tax notices for the Township of Nelson and the Municipality of Burlington, wartime papers, education papers, Federal government papers, voters’ lists, Fruit Growers Association Reports, Ontario Department of Agriculture bulletins and other booklets about growing fruit collected by Blair. There is also considerable material pertaining to Knox Presbyterian Church including annual reports, financial statements and account books, quit claims, mortgage, deeds etc., lists of subscribers to the building fund, membership list, and magazines. Items with very early dates were acquired by George Blair in course of his professional life. The records were not consistently organized and were received by the Archives after the family had sorted them. Fonds is comprised of the following series: Account books 1861-1915. - 11.5 cm. Banking papers 1878-1928. - .5 cm. Business records 1878-1928. - 20 cm. Federal government papers 1887-1919 (artificial series). - .5 cm. Household receipts 1879-1928. - 1.5 cm. Income tax papers 1918-1924. - 1 cm. Insurance policy papers 1893-1927. - 1 cm. Investment papers 1889-1927. - .5 cm. Knox Presbyterian Church 1844-1930 (artificial series). – 1.5 cm. Legal papers 1850-1923. - .3 cm. Municipal records 1861-1928. - 12 cm. Personal papers 1860-1928. - 3 cm. War papers 1914-1918 (artificial series). - 2 cm.

The fonds consists of personal papers and correspondence related to his Rotary years and researches, research material on Adam Fergusson, the Fergusson family and Woodhill, the Fergusson family home, as well as other material with some relationship to Fergusson or his family members. The fonds has been divided into three series: Personal papers, Adam Fergusson research and General research. Fonds is comprised of the following series: Personal papers (1959-2004) Adam Fergusson research (ca. 1840-2001) General research (1960-2004) Woodhill research (1930-2006). Within the Adam Fergusson research there are a number of loose newspaper clippings dated 1950-1960.

The fonds consists of textual materials and photographs. The textual material consists of a small number of original documents such as a hand-written letter from Mrs. Jane A. Whatmough to her daughter, Annie Louise Gallagher, dated 1904, wedding invitations and funeral a programme, as well as Gallagher and Whatmough family trees compiled by Howard Gallagher (1887-1997), a Whatmough Family History compiled by Janet (Whatmough) Cureton in 1974, and a 1932 yearbook of the Ontario Agricultural College and Macdonald Institute (Guelph). Included is a typescript, "Greenwood Farm", by Grant A. Whatmough, 1976 (225 pages). There are 80 photographs. Some had labels or inscriptions, others were identified with the assistance of Grant A. Whatmough or the Gallagher and Whatmough Family Trees. Fonds is comprised of the following series: Photographs Gordon Gallagher Gallagher family Grant Al Gallagher Family trees/yearbook

The fonds consists of reports, publications, correspondence, newspaper clippings, photographs, notes, and other materials produced and accumulated by James Gordon Nelson. Fonds is comprised of the following series: Publications Coastal zone analysis, planning, and management First Nations documents Assessment Development, resources, environment Heritage Environmental education Parks and protected areas : US Parks and protected areas : Canada Parks and protected areas : Europe and the Middle East including Russia Parks and protected areas : Asia and the Pacific Parks and protected areas : International Parks and protected areas : Northern Wildlife Recreation and tourism Northern Plains collection