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The Walden Garden Club was first founded by Jean Narozanski in 1976. Narozanski was the municipal horticulturalist in Walden and also worked at the public library. She noticed a desire of residents to learn more about horticulture and founded the club to provide an outlet for various homeowners to discuss gardening. That same year, Narozanski also established Northern Perennials, a local gardening store. By 1980, Narozanski moved to Manitolan Island and the club discontinued around the mid 1980's.

Former Chairmen of the Walden Garden Club include;

Jean Narozanski 1976-1977
Evelyn Nelson 1977-1978
Myra Gauthier 1978-1979

The Faculty of Science at Wilfrid Laurier University was founded in 2000, when the Faculty of Arts and Sciences partitioned into distinct faculties of Arts and Science. The Faculty consists of the Departments of Biology, Chemistry, Kinesiology and Physical Education, Mathematics, Physics and Computer Science, Psychology and the Health Sciences program. Deans of the Faculty of Science have been Dr. Arthur Szabo (2000-2007), Dr. Deb MacLatchy (2007-2009), and Dr. Paul Jessop (2009- present).

The Faculty is predominantly housed in the Science Building which was officially opened in 1995. Eventually the Science Research Centre (opened in 2004) was added between the Science and Bricker Academic Buildings. The Research Centre is a dedicated research building for faculty and students.

In 2000, the Faculty of Science mandate was as follows:
“Laurier’s Faculty of Science is dedicated to collaboration between and beyond its six departments. In that spirit, the Faculty offers selected high quality programs with homes in Biology, Chemistry, Kinesiology & Physical Education, Mathematics, Physics and Computer Science and Psychology. Its programs are contemporary and competitive, designed to attract the highest quality students, and to provide them with a stimulating education and thorough preparation for employment or further studies. That Faculty holds the advance of scientific knowledge as one of its key values, and as such is committed to sustaining a supportive climate for research in the pure, social and applied sciences. The Faculty’s spirit of shared enterprise is highly valued by its members.”

The Brantford campus of Wilfrid Laurier University opened in 1999. The campus is located in downtown Brantford, Ontario and awards Bachelors degrees in Business Technology Management, Contemporary Studies, Criminology, Education, English, Health Administration, Health Studies, History, Human Rights and Human Diversity, Journalism, Law and Society, Leadership, Psychology and Youth and Children's Studies.

Planning for the creation of a university in Brantford began in 1996, when the Brant Community Futures Development Corporation commissioned a business plan for the establishment of a university in Brantford. The city of Brantford had experienced economic decline in the wake of the collapse of the farm equipment industry. Community leaders, including members of the Grand Valley Educational Society, hoped that a university would contribute to urban renewal of the city’s downtown core. They also sought to provide local post-secondary educational opportunities for local students. In 1998, the City of Brantford, The Grand Valley Educational Society and Wilfrid Laurier University signed a “letter of intent” to form a campus of Laurier in Brantford.

The first building occupied by Laurier Brantford was the Carnegie Building on George Street, originally constructed as a library, and renovated as a university building. As it expanded the university has constructed new buildings, including the Student Centre built by the Student Union in 2005. Other university buildings, like Grand River Hall which opened in 2001, are examples of adaptive re-use, and have been renovated to meet the needs of the university.

Laurier Brantford is administered by a Vice-President/Principal who reports to the President of Wilfrid Laurier University. The faculty report to the Dean of Brantford, and govern through the Brantford Divisional Council. Library service is provided by Laurier librarians at the Brantford Public Library.

Brantford students are members of the Wilfrid Laurier University Students Union (WLUSU).

Waterloo Lutheran Seminary (WLS) officially opened on October 30, 1911 in Waterloo, Ontario in a house located on five acres of land donated by the City of Waterloo. The first class consisted of four students and one full-time faculty member, Ottomar Lincke. Lincke would also serve as the first executive officer until 1914. In 1924, Waterloo College was established, providing courses in post-secondary education. The following year, the Seminary and Waterloo College affiliated with the University of Western Ontario (UWO) allowing students to earn an accredited degree. Women were allowed to attend to Waterloo College beginning in 1929.

In 1960 Waterloo College ended its affiliation with the University of Western Ontario and became an independent, degree granting institution called Waterloo Lutheran University that operated alongside the Seminary.

The current Seminary building was dedicated on October 20th, 1963. In 1973 Waterloo Lutheran University became a provincially-funded, secular institution and was renamed Wilfrid Laurier University. The Lutheran Church was no longer responsible for the operating the University but the Waterloo Lutheran Seminary remained a federated college of Wilfrid Laurier University.

In the 1980s, the Waterloo Lutheran Seminary gained full accreditation status in the Association of Theological Schools in the United States and Canada. In 1994, a Doctor of Ministry degree was added. The year 2010 saw the creation of the Kanata Centre for Worship and Global Song, which seeks to bridge the cultural gap between developed and less developed countries. Currently, the Seminary offers a variety of diploma, master’s and doctoral programs, as well as a Bachelor of Arts in Christian Studies and Global Citizenship.

The Soroptimist Club was formed in Oakland, California in 1921 for women who hold executive status in business, government or a profession. Membership was by invitation only and was limited to women with careers outside of the home. The aim of the Soroptimist Club was to provide service to the community, usually through fundraising and donations, to promote the advancement of women in business and to maintain high ethical standards in professional life.

The Soroptimist Club of the Sudbury Nickel District was chartered on January 29, 1949. It was founded by Margaret Kerr of Montreal. Elizabeth Soutar (Bess Soutar), head of the local Victorian Order of Nurses (V.O.N.), was the first President of the Sudbury Nickel District chapter. The club met twice monthly, on the second and fourth Mondays, the first only for business and the second to have a dinner meeting followed by business and/or a speaker. These early meetings were held mainly at Cassio's Motor Hotel or in members' homes.

During it's life, the Soroptimist Club sponsored many community projects, including providing a monthly allowance for three years to a nurse in training; Christmas dinners to elderly members of the community; sponsoring the Soutar Senior Citizen's Club; sending underprivileged children to summer camp; giving a clothing allowance to a secondary school student, which allowed her to graduate; providing rent for underprivileged college students during the summer months; donating $500 to the Centennial Project for trees in Bell Park; giving a donation of $1000 so a room could be refurnished at the Y.W.C.A. and putting on concerts.

The club celebrated their 25th Anniversary with dinner at Cassio's Motor Hotel in the Venetian Room on June 8, 1974. However, membership and participation in the club was declining. By 1975 meetings dwindled and only seven or eight women were taking an active interest, so in 1976 the club's activities came to an end after 27 years.

Club Presidents:
Bess Soutor 1949-1950
Kay Elliott 1950-1950
Allegra Walker 1951-1952
Eleanor Hambley 1952-1954
Lempi Johnson 1954-1955
Grace Wigg 1955-1957
Thelma Paulson 1957-1959
Ursala Black 1959-1961
Margaret Blue 1961-1962
Mary Brown 1962-1964
Florence Tomlinson 1964-1966
Myrtle Kennedy 1966-1969
Editha McLellan 1969-1970
Mary Brown 1970-1972
Myrtle Kennedy 1972-1974

Le Chelmsford Women's Institute a été fondé le 3 juin 1949 par des femmes de l’endroit. Il s’agissait d’une constituante des Women's Institutes in Canada fondées par Adelaide Hoodless en 1897. Mme Grace McCrystal (née Vaillancourt) organise la première réunion chez elle, à Chelmsford, à laquelle 16 dames assistent pour entendre la présidente du district, Mme H. Williams, et la secrétaire du district, Mme J. Hamilton, présenter le travail et les objectifs du Women’s Institute.

L’organisme se définit comme un groupe non partisan et non confessionnel se consacrant d’abord à l’éducation. Quelques-uns de ses comités permanents : agriculture et industries canadiennes, citoyenneté et éducation, activités communautaires et relations publiques, recherche historique et actualités, économie domestique et santé, et enfin, résolutions.

Le Women's Institute a aidé des familles locales dans le besoin, habituellement en menant des collectes de fonds, en donnant des vêtements ou en envoyant des fleurs. L’organisme a également fait des dons en argent à des causes nationales, par exemple la Croix-Rouge, présenté des documents de travail lors de réunions sur des sujets comme l’agriculture, l’histoire locale, la géographie, le magasinage et l’hygiène. Il a tenu des rencontres pour ses membres, notamment des réceptions-cadeaux pour bébé, des échanges de cadeaux de Noël et des promenades en traîneau. De 1949 à 1956, il a aussi documenté l’histoire de Chelmsford par l’entremise des albums de coupures historiques Tweedsmuir. Les travaux à cette fin ont été entrepris par la responsable du comité permanent de recherches historiques et d’actualités, Rose Cvitkovich.

Le Chelmsford Women's Institute a été officiellement dissout en 1960.

Quelques présidents du Chelmsford Women's Institute :

Mme A. Rhéaume (1949-1950)
Mme Albert DeFinney (décembre 1950-avril 1951)
Mme Yvonne Trottier (née Paquette) (1951-1952, 1953-1955)
Mme G. Castonguay (1952)
Mme Cvitkovich (1956)

Robert Frederick Hagan, painter, printmaker and educator, was born in Toronto, Ontario in 1918. He was educated at Central Technical School (Toronto) and the Ontario College of Art. From 1941-1946, Hagan was employed as Resident Artist and Master at Pickering College in Newmarket, Ontario. In the spring of 1946, Hagan journeyed to New York for further studies. Later the same year, he began teaching at the Ontario College of Art. In 1955 he became Head of Printmaking, a position which he held until his retirement in 1983. Frederick Hagan has held memberships in the Canadian Society of Graphic Art (of which he was made an Honourary Member in 1965), the Canadian Society of Painter-Etchers and Engravers, the Ontario Society of Artists, and the Print and Drawing Council of Canada. His work is in the collections of numerous Canadian galleries. Frederick Hagan passed away on September 6, 2003 at the age of 85.

Frances Norma Loring, sculptor, was born in Wardner, Idaho October 14, 1887. She studied sculpture in Geneva, Munich and Paris 1901-1905. In 1905 at the Art Institute of Chicago, she met Florence Wyle with whom she subsequently shared studios in New York (1909-1912) and Toronto (1912-1966). A member in 1920 of the Ontario Society of Artists, she was a founding member (1928) of the Sculptors' Society of Canada and a chief organizer of the Federation of Canadian Artists and the National Arts Council. Among her best-known public monuments are the lion of the Queen Elizabeth Monument in Toronto (originally near the entrance to the Queen Elizabeth Way) and war memorials at St Stephen, New Brunswick and Cambridge (formerly Galt), Ontario. Frances Loring died in Newmarket, Ontario February 3, 1968.

Florence Wyle, sculptor, was born in Trenton, Illinois November 24, 1881. While studying at the School of the Art Institute of Chicago in 1905, she met Frances Loring, with whom she later moved to New York. Loring moved to Canada in 1912, where Wyle joined her the following year. They each produced a considerable body of work in their studio, a converted church, in Toronto. A member of the Ontario Society of Artists (1920), Wyle was the first woman sculptor to become a full member of the Royal Canadian Academy. She was also a published writer (Poems, 1958). Among her public sculptures is the relief of Edith Cavell on the grounds of the Toronto General Hospital. Florence Wyle died in Newmarket, Ontario January 13, 1968. Loring & Wyle’s works are in the collections of the Art Gallery of Ontario, the National Gallery of Canada and the Canadian War Museum and in several public and private buildings in Ontario.

John Bernard Boyle (1941- ) is an artist, activist, curator and writer who has lived and worked in St. Catharines, London, Elsinore, and Peterborough, Ontario. He married Janet Perlman, with whom he has one daughter, Emily. Boyle was educated at London Teachers’ College and the University of Western Ontario, and is self-taught as a painter. He taught elementary school in St. Catharines intermittently between 1962 and 1968. In 1974 he moved with his family to a converted church in Elsinore, Ontario (near Owen Sound), where he had his studio until 2002. He is currently based in Peterborough. Boyle began to exhibit his paintings in 1964, the same year he was inspired by meeting London artists including Jack Chambers and Greg Curnoe. In 1966 controversy arose at the London Public Library and Art Museum over Boyle’s exhibited piece Seated Nude. Boyle was an early participant in London’s 20/20 Gallery. In 1972 he designed sets for the play Buffalo Jump at Theatre Passe Muraille, Toronto; that same year he curated the first Billboard Show in St. Catharines. In 1980 Boyle completed the mural Our Knell for Queen Subway Station, Toronto. From 1973 through the 1990s, Boyle exhibited regularly at Nancy Poole’s Studio, Toronto. A key figure among the artist activists who established professional representation and rights for artists in the early 1970s, Boyle was the founding spokesperson of Canadian Artists Representation Ontario (CARO) in 1971. In 1970 he served as the first president of the Niagara Artists Co-operative (later Company). Boyle was a member of the Board of Trustees of the Art Gallery of Ontario, 1975-1977. Boyle has written extensively in journals including 20 Cents Magazine, Parachute, and Twelve Mile Creek. His regular column “According to Boyle” in CAROT (1975-78) dealt with challenges facing artists. Boyle has written three novels, No Angel Came (1995); and the unpublished The Gergovnians and The Peregrinations and Permutations of a Young Artist in Canada. His illustration and book design work includes The Port Dalhousie Stories by Dennis Tourbin (1987), as well as several magazine articles and book jackets. He initiated the discipline of “Canadology” in 1989 to record the social customs of the country. Boyle is a founding member (since 1965) and principal kazooist of The Nihilist Spasm Band. His work is represented in numerous Canadian collections, including the National Gallery, the Art Gallery of Ontario and the Montreal Museum of Fine Arts.

Samuel J. Zacks (1904-1970) was a financier, Zionist and art collector, born in Kingston Ontario and educated at Queen’s University and Harvard. He married Ayala Ben Tovim Fleg in 1947, whereupon they immediately began to collect art of the School of Paris as well as Canadian and Israeli art and antiquities, amassing an extensive collection by the late 1950’s that was in continual demand by museums around the world. Mr. and Mrs. Zacks were both involved in international art circles, sitting on the Boards of the International Committee of Museums (ICOM), a branch of UNESCO, the International Committee of the Museum of Modern Art, the Art Gallery of Ontario and others. In 1969 Mr. Zacks received an Honourary Fellowship from St. Peter’s College, Oxford. He died in 1970 in Toronto.

George Agnew Reid (1860-1947) was a Canadian artist, architect, educator and administrator influential in the early 20th century and instrumental in the formation of a number of important Canadian art institutions. Born in Wingham Ontario to a Scottish farm family, he studied architecture and book-keeping at his father’s insistence. In 1878 he moved to Toronto to study art. He was able to extend his art education under Thomas Eakins in Philadelphia, where he met the painter Mary Heister. In 1888 the couple travelled to Europe and studied at the Julian and Colorossi Academies, returning to Toronto in 1889. The house he designed and built in Wychwood Park was his home until the end of his life. In 1890, George Reid began reaching at the Central Ontario School of Art and Design. He eventually became principal and researched new theories of art education in the United States and Europe. Under his direction, the art school became independent of the Board of Education and moved into its own building, which he designed, in 1921. He also served as its first Principal. In 1892, George and Mary Reid built two cottages from his design at the artist colony in Onteora, New York. This led to the design of other summer homes and a small church in the Catskills community. They spent summers at this location until 1917 when the war made travel to the United States difficult. In 1921 Mary Heister Reid died, and in 1923 George Reid married Mary Wrinch, a former student and close friend of his first wife. His later life was filled with accomplishments, including the painting of murals for public spaces in Toronto City Hall, Jarvis Collegiate, the Royal Ontario Museum and elsewhere. He was instrumental in obtaining permanent funding and staff for the National Gallery in Ottawa, and was a force behind the establishment of the Art Gallery of Toronto. He was a member of the RCA, serving as President 1906-1907. He influenced a generation of students, among them C.W. Jefferys, through his teaching and created a number of works that exemplify his generation, including Forbidden Fruit, Mortgaging the Homestead, and The Foreclosure of the Mortgage.

Lawrence Arthur Colley Panton (1894-1954) was a Canadian painter, educator and academician active in Toronto from the 1930s until his death. Born in England, he immigrated to Canada at 17. He served in the Army during 1916-1919 and studied art in the evening after his return from the war. In Toronto, he worked at Rous and Mann as a designer until 1924 when he began his teaching career, first at the Central Technical School and then at Western Technical School (1926-37), Northern Vocational School (1937-51) and finally principal of the Ontario College of Art (1951-54). In 1920 he married Marion Pye; their son Charles was born in 1921 and died in action in 1944. Panton was active in a number of organizations, including the Ontario Society of Artists (President 1931-37), the Canadian Society of Painter-Etchers and Engravers, the Canadian Group of Painters, The Royal Canadian Academy and the Arts and Letters Club (President 1953-54).

Charles William Jefferys (1869-1951) was a prolific Canadian artist, illustrator and author. He was a talented landscape painter whose work was widely exhibited and collected, but is best known for his illustrations of Canada’s past. He was born in Rochester, Kent. In 1875 the Jefferys family emigrated to Philadelphia, then in 1878 they moved to Hamilton before settling in Toronto around 1880. Jefferys began formal training as an artist in 1884 when he started attending evening classes at the Ontario School of Art. The following year, Jefferys began a five-year apprenticeship at the Toronto Lithographic Company, where he was also hired out to work occasionally as an illustrator for The Globe. He worked as an artist for The Globe, as well as for a number of other Canadian newspapers until the fall of 1892 when he was taken on as an artist-reporter for The New York Herald. Jefferys lived in New York and New Jersey until 1899, returning to Canada permanently in 1901, eventually settling in York Mills. Jefferys illustrated a large number of books and articles providing illustrations for The Makers of Canada (1903-1911), Chronicles of Canada (1914-1916), was co-founder of the satirical periodical The Moon (1902-1904), and wrote and illustrated Canada’s Past in Pictures (1934) and The Picture Gallery of Canadian History (1942, 1945, 1950). He also gave frequent lectures and published numerous articles on art, architecture, and Canadian history. From 1912 to 1939 Jefferys was instructor of freehand drawing at the Department of Architecture at the University of Toronto. He also was a lecturer and part-time instructor at the Ontario College of Art. Jefferys worked for Canadian War Records in 1918, recording the activities Polish Army in Exile at Niagara and Toronto and the Siberian Army in Exile in at Camp Petawawa, Ontario. Jefferys was active in many organizations, including the Ontario Society of Artists, Royal Canadian Academy, Art Students’ League, and the Arts and Letters Club. He exhibited his art widely throughout his life, in Canada and abroad, and his work appears in major institutions across Canada. Robert Stacey (1949- ) is the grandson of C.W. Jefferys. He is an art historian, author, editor, picture editor and curator based out of Toronto. Has written numerous books and articles on C.W. Jefferys and many other aspects relating to Canadian art and graphic design, with titles including The Hand Holding the Brush: Self Portraits by Canadian Artists, Canadian Bookplates, Massanog: the art of Bon Echo, and Sir Daniel Wilson (1816-1892): ambidextrous polymath.

Paul Bennett was hired as the AIO’s first Field Director / Adviser in 1959, and remained in this capacity until 1964. He then became Director, serving until 1968.

Greg Curnoe (1936-1992), artist, lived most of his life in London, Ontario. He studied at the Special Art Program at H.B. Beal Secondary in London (1954-1956), the Doon School of Fine Arts (June-October 1956), and the Ontario College of Art (1957-1960). Curnoe married Sheila Thompson in 1965, and the couple had three children, Owen, Galen and Zoe. From Curnoe's early years, his hometown of London became the focus of his life and work, and he attracted much attention to its flourishing art scene. In 1962, he organized the first happening and the first artist-run gallery (the Region Gallery) in Canada. Curnoe played a key role in the founding of the Nihilist Party (1963) and the Nihilist Spasm Band (1965). He began making stamp books in 1962, and has been considered the first maker of artists' books in Canada. He founded the Forest City Gallery in 1973. Curnoe took up competitive cycling in 1971, and it remained a passion and ingredient in his art-making for the rest of his life. Over the course of his career, Curnoe was awarded numerous Canada Council and Ontario Arts Council Grants. From 1964, Curnoe exhibited nationally; in 1969 he represented Canada at the Sao Paolo Bienal in Brazil, and in 1976 at the Venice Biennale. He died in a traffic accident while cycling in 1992. Curnoe was the subject of a National Gallery of Canada retrospective in 1980, and the AGO exhibition Greg Curnoe: Life & Stuff in 2001. His work is to be found in all of Canada’s major public collections, as well as many private and corporate collections.

Jules Frederic Wegman was born in Neuchatel, Switzerland on 14 July 1865 and received his early education there. He came to the United States with his father Julius, also an architect, at the age of ten years and trained with him. At one point he was sent to Jerusalem to measure the city and its buildings, and his drawings were used to reproduce the city at the Worlds’ Fair at St. Louis in 1904. Wegmen then spent several years in the Chicago office of Daniel H. Burnham & Co., a leading figure of American architecture. He appears to have also worked there under his own name, and is credited with the design of the Newbury Building, South Wabash Avenue at East Ninth Street in Chicago, in 1896. In 1905 he was invited to join the Toronto firm of Darling & Pearson, and worked there until his death in 1931, becoming a partner in 1924. He worked on the Sun Life Building in Montreal, the North Toronto Station at Yonge and Summerhill, and the 1925 expansion of the Art Gallery of Toronto. He spoke at least four languages fluently and traveled widely, collecting photographs and drawings of architectural details. In 1911 he joined the Arts and Letters Club and lunched there regularly. In 1912 he was Chairman of the Toronto Chapter of the Ontario Association of Architects and he was elected a Fellow of the Royal Architectural Institute of Canada shortly before his death.